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Argentine tango

Argentine tango is an improvised partner dance born in the Río de la Plata region — Buenos Aires and Montevideo — at the end of the nineteenth century. It is danced in an embrace, close or open, and it is built on walking: the leader proposes each step and the follower answers, so no two dances are the same. It is different from the tango of ballroom dancing.

  • A social dance with its own events: a milonga is an evening of tango dancing, and a práctica is a relaxed session to practise.
  • Posture, balance and a stable axis — much of the dance is spent on one leg.
  • Improvisation and careful listening, to the music and to your partner.
  • Calm, steady movement rather than cardio.
  • A community where people of very different ages dance together.
  • Clothes you can walk in freely; trousers or a skirt that does not hold the legs back.
  • Shoes with a leather or suede sole that pivots easily, fastened well on the foot. Tango shoes for followers have heels, but you can learn in flat shoes first; leaders dance in smooth-soled shoes.
  • No rubber soles: they catch on pivots and twist the knee.
  • Water, and a fresh top for the close embrace.
  • 60–90 minutes, and many schools hold a práctica after the class.
  • It starts with walking alone, then walking in the embrace: finding your axis, stepping together, pausing together.
  • Then the basic elements — the cross, forward and back ochos (pivoting figure-eight steps), turns — and how to lead and follow them.
  • Partners usually rotate. Lead and follow are roles, anybody may learn either, and many dancers learn both.
  • Tango music has three rhythms: tango, vals (tango waltz) and milonga (quicker and playful). Classes often focus on one at a time.
  • Many teachers also explain the customs of a milonga: couples move anticlockwise around the room, songs are played in sets called tandas, and people invite each other with a look and a nod (the cabeceo).
  • Adults of any age: the pace is calm, and many people dance tango for decades.
  • People who enjoy quiet concentration and connection more than tricks.
  • Couples, and people who come alone.
  • Dancers of other styles who want to improve their embrace, balance and musicality.
  • It is less suited to somebody who wants a workout or set choreography. Pivots and heels load the knees, ankles and feet; with problems there, ask a doctor, tell the teacher and start in flat shoes. For the ballroom tango, see Ballroom: Standard.